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Book conservation --- Book history --- Manuscripts. Epigraphy. Paleography --- Codicology. --- Manuscripts. --- Books --- Codicologie --- Manuscrits --- Livres --- History. --- Histoire --- 025.7 --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Codicology --- Manuscripts --- Codices --- Nonbook materials --- Archival materials --- Charters --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Manuscriptology --- Bibliography --- History

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Paper --- Preservation --- Fibers --- Writing materials and instruments --- 025.7 --- 09:676 <09> --- 025.85 --- -025.7 --- 025.8 --- 025.85 Onderhoud van boeken. Restauratie. Vriesdrogen. Boekbeschadiging --- Onderhoud van boeken. Restauratie. Vriesdrogen. Boekbeschadiging --- 025.7 Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Conserveren van boeken. Inbinden. Microfilmeren. Digitaliseren --- Papers --- 09:676 <09> Handschriften en oude drukken: papier, watermerken--Geschiedenis van ... --- Handschriften en oude drukken: papier, watermerken--Geschiedenis van ... --- Papier --- Conservation --- Handschriften en oude drukken: papier, watermerken--Geschiedenis van .. --- Handschriften en oude drukken: papier, watermerken--Geschiedenis van . --- Handschriften en oude drukken: papier, watermerken--Geschiedenis van --- Paper - Preservation --- -Preservation --- Conservation et restauration

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The issue of returning art and cultural property removed from explored or conquered lands by Americans and Europeans is an unresolved problem. This book is about the return, or not, of works of art and antiquity taken during the Age of Imperialism and now held in museums and private collections. Arguments put forth by the states seeking return or restitution for lost art treasures and meaningful cultural icons are pitted against conservator interests who maintain that these art treasures and cultural artifacts belong to all humanity and should be preserved in museums. In this volume, scholars and authorities on art, cultural property law and museum collections offer contrasting views on topics such as the Elgin Marbles, the return of the Nefertiti Bust and the problems and progress of the Native American Graves Protection and Repatriation Act (NAGPRA).

Art --- International law --- Art thefts. --- Cultural property --- Law and art. --- Restitution. --- Protection --- Law and legislation. --- Repatriation. --- 7.025.7 --- 351.852 --- Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.025.7 Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- Art thefts --- Law and art --- Restitution --- Replevin --- Unjust enrichment --- Art and law --- Repatriation of cultural property --- Cultural policy --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Protection&delete& --- Law and legislation --- Repatriation --- Collectors and collecting --- Government policy --- Thefts

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The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.

Antiquities -- Collection and preservation -- Moral and ethical aspects. --- Antiquities -- Collection and preservation -- Social aspects. --- Cultural property -- Protection. --- Cultural property -- Repatriation. --- Excavations (Archaeology) -- Moral and ethical aspects. --- Museum exhibits -- Moral and ethical aspects. --- Museums -- Acquisitions -- Moral and ethical aspects. --- Museums -- Philosophy. --- Museums --- Museum exhibits --- Cultural property --- Antiquities --- Excavations (Archaeology) --- General --- Museum Publications --- Moral and ethical aspects --- Acquisitions --- Protection --- Repatriation --- Collection and preservation --- Social aspects --- Philosophy --- Moral and ethical aspects. --- Social aspects. --- Protection. --- Repatriation. --- Philosophy. --- Display techniques --- Displays, Museum --- Museum displays --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Repatriation of cultural property --- Cultural property, Protection of --- Cultural resources management --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Exhibitions --- Government policy --- Law and legislation --- Restitution --- Public institutions --- Cabinets of curiosities --- Museum techniques --- Archaeology --- Cultural policy --- Historic preservation --- Material culture --- 037 --- 069.01 --- 7.025.7 --- 7.025.7 Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- 069.01 Museologie --- Museologie --- Collection and preservation&delete& --- Acquisitions&delete& --- musea --- Musées --- Objets exposés --- Biens culturels --- Antiquités --- Fouilles (Archéologie) --- Aspect moral --- Collections et conservation --- Aspect social --- Philosophie --- Accessibility. --- American Journal of Archaeology. --- American Schools of Oriental Research. --- Ancient Egypt. --- Ancient Greece. --- Ancient Greek art. --- Antiquities. --- Archaeological context. --- Archaeological site. --- Archaeology. --- Art Loss Register. --- Art museum. --- Arts and Crafts movement. --- Beijing. --- Benin. --- Burial. --- Cambridge University Press. --- Capital Museum. --- Censorship. --- Circumstantial evidence. --- Civilization. --- Collecting. --- Colonialism. --- Consideration. --- Cosmopolitanism. --- Country of origin. --- Crime. --- Criticism. --- Cultural Property (Japan). --- Cultural appropriation. --- Cultural heritage. --- Cultural nationalism. --- Cultural property law. --- Cultural property. --- Curator. --- Elgin Marbles. --- Epigraphy. --- Euphronios Krater. --- Fu Hao. --- Funding. --- Iconoclasm. --- Ideology. --- Indigenous peoples. --- Insider. --- Institution. --- Intellectual property. --- International Council of Museums. --- J. Paul Getty Museum. --- Jews. --- Kenya. --- Kwame Anthony Appiah. --- Lansdowne portrait. --- Lecture. --- Legislation. --- Literature. --- Looting. --- Material culture. --- Matthew Bogdanos. --- Member state. --- Metropolitan Museum of Art. --- Museum. --- National Museum of the American Indian. --- National Palace Museum. --- National Treasure (Japan). --- National treasure. --- Native American Graves Protection and Repatriation Act. --- Neolithic. --- Newspaper. --- Ownership. --- Partage. --- Personhood. --- Philistinism. --- Private collection. --- Provenance. --- Publication. --- Punitive expedition. --- Repatriation (humans). --- Rhetoric. --- Roman art. --- Ruler. --- Smithsonian Institution. --- Smuggling. --- Sophistication. --- State ownership. --- Statute. --- Superiority (short story). --- Taliban. --- Tax. --- The Hundreds. --- The New York Review of Books. --- The New York Times. --- Theft. --- Tomb of Fu Hao. --- Tomb. --- Treaty. --- Tribal art. --- UNESCO. --- Urkesh. --- Work of art. --- World Heritage Site.